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    <lastmod>2023-05-16</lastmod>
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      <image:title>Stories and Essays - Mel Chin’s Tongue-in-Cheek Encyclopedia of the World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Stories and Essays - Mel Chin’s Tongue-in-Cheek Encyclopedia of the World</image:title>
      <image:caption>Mel Chin takes the tools of European modernism and turns them against itself to examine war, colonialism, and ecological collapse. I reviewed his major survey at the Queens Museum for Hyperallergic.</image:caption>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/can-art-change-the-future-for-racial-and-ethnic-identity</loc>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Stories and Essays - Can Art Change the Future for Racial and Ethnic Identity?</image:title>
      <image:caption>In 2015, the mainstream art world was a tipping point in its willingness to address institutional racism and show artists dealing with race. I participated in a conversation for Art Genome Project’s first virtual roundtable .</image:caption>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/we-collect-together-in-a-net-kerry-downey</loc>
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      <image:title>Stories and Essays - We collect together in a net: Kerry Downey</image:title>
      <image:caption>A narrative essay exploring whiteness, community art practice, and the studio visit encounter for Kerry Downey’s We collect together in a net, published by Wendy’s Subway.</image:caption>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/project-five-wwka6</loc>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Stories and Essays - Basement Workshop and Asian American Resistance Culture</image:title>
      <image:caption>Basement Workshop was not only an umbrella for NY Chinatown's artists and activists, but one of the places Asian American politics was articulated. Order the issue of Signal, or read the PDF.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/project-four-5a5gc</loc>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Stories and Essays - A Sense of Place: Kahlil Joseph - Kahlil Joseph's 2017 exhibition at the New Museum, Shadow Play, marked another crossover for the director into the museum world. I previewed the exhibition for T Magazine.</image:title>
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    <lastmod>2023-05-16</lastmod>
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    <lastmod>2023-05-16</lastmod>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/asian-america-american-zen</loc>
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    <lastmod>2024-06-03</lastmod>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Stories and Essays - A Brief History of the Art Collectives of NYC’s Chinatown - Chinatown has long been a home to radical organizers and artists, collectives, and movements that have taken on questions of art, community, and displacement. I highlighted a few for Hyperallergic.</image:title>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/project-two-chd3l</loc>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Stories and Essays - Six and a Half Ways to Disappear - Tehching Hsieh created six of the most rigorous and enigmatic artworks in modern history. I visited his odd new cafe in Brooklyn and wrote about it for The Offing.</image:title>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Stories and Essays - The Stories Lost in the Museum of Chinese in America Fire</image:title>
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      <image:title>Stories and Essays - The Stories Lost in the Museum of Chinese in America Fire - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/how-to-talk-about-whiteness</loc>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Stories and Essays - How to Talk About Whiteness</image:title>
      <image:caption>The Racial Imaginary Institute aimed to “make visible that which has been intentionally presented as inevitable” through a 2018 exhibition at the Kitchen. I reflected on how to talk about whiteness in art for Hyperallergic.</image:caption>
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    <loc>https://www.ryanleewong.com/essays-and-criticism/wasting-time-with-tehching-hsieh</loc>
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    <lastmod>2022-05-05</lastmod>
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      <image:title>Stories and Essays - Wasting Time with Tehching Hsieh - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2023-08-21</lastmod>
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      <image:title>Exhibitions - Serve the People</image:title>
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    <lastmod>2021-10-18</lastmod>
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